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Why Can’t Hollywood Get Women Characters Done Well?

I left this comment in response to this post over at LIBERTAS: It’s All Over: Liberals Officially Take Over “24?

eforhan – I don’t watch much TV beyond sports (mainly NFL and NCAA football and March Madness and then the playoffs of the other major sports), but the network shows that I make time to watch now are Seinfeld reruns each night after work to relax and laugh after a long workday and Heroes, Chuck and Lost.

I used to do the same for “24?, but began to lose interest over the course of last season (as Dirty Harry mentioned, the show grew more liberal over the course of the season) when the storylines just got more and more annoying. The President’s sister’s ranting was grating on my nerves so much that I wanted Jack to put a bag over her head to shut her up as he did with his brother who was helping the terrorists.

The last episode of “24? that I watched was the one where he finally caught the terrorist who had the nuclear weapons and kicked his ass then strangled him with the chain from that factory or wheever they were. When I saw that his next task was to save poor whatever her name was, I rolled my eyes and decided that was that.

That was another thing I couldn’t stand about the show: the women in it were so damn annoying and were always effing things up and getting in Jack’s way. The whining of the women in his life about him having to actually, you know, do his duty and his job was just… UGH. It seems like TV/movies cannot make women both campassionate, romantic and sensitive as well as strong and independent all at the same time. They are either unrealistic badass feminists who think they are better than men or they are whiny, pathetic victims. Granted, that is one reason that I like Chuck, as Yvonne Strahovski comes across as that former type of women that I like with her character. She is a strong, intelligent badass, independent, focused and unapologetic about her job, but she is also not condescending and shows her human, emotional, romantic, sensitive, compassionate side with her feelings for Chuck. She’s the kind of woman that I wish would exist in real life, so that’s why I grew to become attached to the show. It’s also why I so like Drew Barrymore’s character in the movie Ever After. Same type of woman. Appreciates the small things in life and hard work, yet is intelligent, strong, independent, yet also compassionate, loving, sensitive and romantic all at the same time. Why Hollywood cannot depict women like this more in their work, I don’t know. It seems that they can only have one or the other.

Now that I think about it, that was one reason why I liked the character of Chloe so much in “24?. She was that type of woman too. She was an intelligent badass, but also showed her softer side once in a while.

These are the types of women that I am attracted to: strong and independent, yet not raving man-hating feminists; sensitive and compassionate and romantic, yet not naive, annoying, whining superficial victims… and these women are in the shows that I like. No surprise.

Which makes me wonder about Hollywood and their character development with women. Why do we not see more women like Barrymore’s character in Ever After and Strahovski’s in Chuck? I’m guessing, because of the same out-of-touchness with Middle America that Hollywood has making them constantly stereotype the middle class characters… they also allow their opinions about women drive their character development of women.

By the way, prisoner105, that storyline is great. Simple, yet there can be so much done with that over the course of 24 hours. Perfect. You came up with it in 5 minutes, yet the “24? shlubs spent hours and hours over days and days and came up with nothing. Well, nothing good. Go figure. Hmmm, maybe if they had some, you know, DIVERSITY, in Hollywood, with thoughts and ideas coming from, oh I dunno… CONSERVATIVES, they could come up with more ideas.

Funny how there is always diversity of skin color and nationality and sex espoused by the left, but never diversity of thought and ideology.

February 2, 2008 , 11:25PM Posted by | "24", Hollywood, Relationships | Comments Off on Why Can’t Hollywood Get Women Characters Done Well?

Liberals Admire Terrorists Using Downs Syndrome Women as Suicide Bombers

They have ignored the past 7 months of progress and success in Iraq, never once admiring or calling any of the COIN strategy used by our men and women in the U.S. military brilliant, yet now, after the terrorists have been reduced to using Downs Syndrome women as suicide bombers to kill civilians, liberals hail this as “brilliant”.

Got that? Using Downs Syndrome women as suicide bombers to kill tens of innocent Iraqi civilians is considered “brilliant” by liberals.

There are no words to describe my feelings about liberals and the Left in this country. None whatsoever. Nothing good anyway…

[Via LGF]

For the record, assuming it’s true, I think it’s just horrible that whoever was behind this latest disaster used Down’s women to perpetrate the bombings but I don’t see it as a sign of desperation. I see it as a sign of adaptation and a brilliant one at that.

This is what passes for intelligent, informed military analysis from liberals and the Left.

February 2, 2008 , 7:39PM Posted by | Anti-War Groups, Bush Derangement Syndrome, Iraq, Islamofascism, Jihad, Leftist Groups, Liberalism, Terrorism, The Long War, War Effort in Iraq | Comments Off on Liberals Admire Terrorists Using Downs Syndrome Women as Suicide Bombers

Behold: John McCain, the Conservative Savior from Hillary/Obama

Yeah, there’s a big difference between John McCain and the Democrats… or not.

John McCain – “He does not love this Party” ; “He is trying to build a personal movement with the Republican Party as its vehicle.”

Audio flashbacks: The great Kerry-McCain flirt of 2004

I will add one thing to Bryan’s statement below: John McCain flirted with joining a ticket with John Kerry against a sitting Republican President IN TIME OF WAR.

Yet, this man is supposed to be the one whom Conservatives say will stand up for our troops? Hmmm…

Maverick. Political switch hitter. Flirted with joining a ticket with John Kerry against a sitting Republican president back in 2004? This is old ground, but it’s worth going over as a reminder of who we’re dealing with in John McCain.

Here’s a 2007 clip of John Kerry on how John McCain’s people approached Kerry about a possible 2004 fusion ticket.

[ … ]

So in March 2004, McCain says he would entertain the unlikely Kerry offer if it came, and in July 2004 he says he was never offered the slot, but that’s after Edwards was already on the ticket. “It was never offered” does not equal “I never sought it or sent out feelers.” So did he? In April 2007 John Weaver flatly denied that McCain ever sought to be on the Kerry ticket, and McCain chief of staff Mark Salter called it a “fantasy” and said that Kerry approached McCain as early as 2003. But in that Snow interview, McCain himself seemed to leave the possibility open that he approached Kerry by how carefully he worded his answers. Someone here isn’t telling the truth. Maybe all involved aren’t. There is history of both Kerry and McCain dissembling, with McCain as recently as this week baldly mischaracterizing Mitt Romney’s position on Iraq.

As the saying goes, where there’s smoke there’s fire, so obviously there was some discussion between Kerry and McCain of creating a fusion ticket against Bush. How far those talks got is hard to say: Kerry says there were feelers, McCain doesn’t answer the question, but the man Kerry named as McCain’s agent in 2004 flatly denies the whole thing. It seems possible to me that Kerry approached McCain in 2003 but it was too early, so McCain put Kerry off. But in 2004 once Kerry became the Democrat front-runner, McCain may have very quietly sought intel on whether Kerry’s 2003 overture was still on the table. It wasn’t. But that’s conjecture. If McCain did approach Kerry and Kerry rejected him, then Maverick is a turncoat and Kerry is a fool, because Edwards brought nothing to that ticket and McCain probably would have made enough of a difference to give us a President Kerry now. One thing we do know that McCain went on in that Snow interview to declare support for President Bush, and that McCain became an energetic campaigner for Bush throughout the rest of that year. But we also know that McCain has been a thorn to Republicans on most other issues ever since he lost to Bush in 2000.

Whatever did happen in 2004, it’s not quite the end of the story. Here’s former House Speaker Dennis Hastert on the Mark Levin Show Friday night. Hastert endorses Mitt Romney and describes what it was like working with the Straight Talkin’ Maverick in Congress. Hastert makes many of the same anti-McCain points that the conservative pundits stress: McCain-Feingold, McCain-Kennedy, etc. But coming from a fellow Republican member of Congress, Hastert’s obvious annoyance at McCain packs a little bit more of a punch.

[ … ]

That’s how hard it was for conservatives to work with Senator McCain. Imagine them having to work with President McCain.

I have been told to be “practical” and “realistic” and to bag my idealism, because it is foolish and some have flat out stated that anyone who doesn’t support whomever is the Republican nominee against the Democrats has lost their minds.

Well, I will repeat what I said to Clay in my previous blog. Summary: the REALITY is that John McCain will lose in a landslide to whomever is the Democrat nominee, because he is a liberal Democrat in the Republican Party and the nation is tired of Republican Presidents. Unless America has a choice between a Conservative and a Liberal, they will vote Democrat. That is the reality we have to face.

Clay – If you want me to speak pragmatically and realistically and bag my idealism for a moment, here you go…

While there are some differences between John McCain and Hillary Clinton/Barack Obama to the true conservative eye, when I go around my circle of friends, family and coworkers, the sentiment is that they are sick of Republicans in the White House and are ready for a “change”. The differences between the two parties, to them, is not very drastic, as it is to you and me and other true conservatives. So, based on that, I realize that unless the GOP gives America a true choice between liberalism/socialism and conservatism, America is going to vote for the Democrat liberal/socialist over keeping a Republican Administration in the White House for another 4 years.

Now, is Mitt Romney really a stark difference from Hillary/Obama? Not really, since most people don’t believe Romney to be a true convert to Conservatism. The knock on him is that he is a flip-flopper and also, too many people hold his Mormonism against him. Thus, he really doesn’t have much of a shot against Hillary/Obama either.

Thus, the reality that I see is that the GOP is going to lose and lose big.

And it is going to lose for two reasons:

(1) Because it has now morphed into Democrat-lite
(2) Because Conservatives, instead of defending conservative principles, have failed to support the conservatives in the primary and instead took the attitude of “electability” and “BEAT HILLARY/OBAMA!” over conservatism.

Thus, the Republican Party and Conservatives have lost all credibility. You don’t see liberals and progressives giving up on their principles to beat Republicans and Conservatives. No, they are as strong as ever and fighting as hard as ever for liberalism, socialism and Marxism and transforming America into a Socialist/Communist country. Meanwhile, Conservatives, instead of fighting for conservatism, are moving Left to try to win elections.

Clay, we disagree and that is fine. But, I am warning you now to not be surprised when some of my blog posts are expressions of my anger and frustration. Especially when I see people telling me I have lost my mind or am a nutjob, such as people are doing with Ann Coulter.

My main point is that We, the People, make up America, not Hillary Clinton, not John McCain, not any political parties. We, the People, make this country work. If We, the People, give up on our principles, then this country will fall.

And when I see people focused on “electability” instead of educating and informing and inspiring others to become engaged about conservatism, I begin to feel that this country is already doomed. But I am not going to give in to despair and go down without a fight.

Also, as I said before, take a stroll through the News and Politics blogs and see what people are talking about. See the blogs especially from the “right” side of the blogopshere, the so-called proud conservatives and read the substance of the posts. The last one I saw had a picture of Hillary having sex with Barack Obama. Explain to me how that is helping America, Clay. Explain to me how that “supports the troops”. Explain to me how that is serious intelligent debate. Explain to me why I should take someone seriously about the fate of the nation depending on me voting for a Republican when that it their idea of fighting for Conservatism and this nation.

I don’t see it.

I respect you Clay and I know you agree with my idealism. That is why you are one of only a few blogs to which I am still subscribed here on MySpace. But, as I said, I am not backing down from my position. I hope to inspire people to my position, but I also know that I am not Rush Limbaugh, I am not Newt Gingrich, I am not Ronald Reagan or any other inspirational figure of our time. I am simply a common man who is not very good at expressing myself most times and also tends to let my emotions get the best of me when I write, instead of giving well, thought-out dissertations of my ideas and values and principles.

Much of this is because I get so frustrated when I see people whom I thought believed in the same things as me, end up giving up. It ends up depressing me and angering me and I go from being down to being angry to being down and then having to work myself up to not give up again. I go through this cycle so many times during the week, sometimes just during a day. I’m young, I’m idealistic and I want to believe in this nation. But when I see my fellow Americans giving up, it wears on me.

My generation will carry this nation into the future Clay. We need isnpiration and support from others so as to not get cynical and depressed and apathetic, since our inspiration is based on idealism without much experience.

But I believe that hard work pays off. I believe that America allows us to achieve anything we set our mind to do. I don’t want to lose that belief, based on others spreading their cynicism and apathy.

February 2, 2008 , 4:55PM Posted by | 2008 Presidential Election, John Kerry, John McCain | Comments Off on Behold: John McCain, the Conservative Savior from Hillary/Obama

The TV Show “24” is Dead to Me

UPDATE at 18:18 EST on 02 FEB 2008: Dirty Harry at LIBERTAS has a much better review of this tragedy than mine: It’s All Over: Liberals Officially Take Over “24”

Saw this summary of the WSJ article on the site LIBERTAS:

Somewhat OT, the WSJ today has a front page story on “24.”


*Media and Fox blame “Bush’s illegal war” for the show’s unpopularity last season.
*Writers including Howard Gordon are hard-core left-wingers with pictures of Bush with fangs and Cheney eating kittens in the Writer’s Room.
*Surnow is basically a figurehead who has no real connection to the show — it’s Howard Gordon’s show.
*Various script ideas had Jack Bauer “apologizing” for his “torture” and undermining the whole show.
*Script ideas were tossed out and now Bauer will “apologize” at the end of the seventh season.

Conclusions: DH is right, liberalism makes even a show that starts out conservative end up highly liberal. “24″ will be a resounding failure because “apologizing” for the hero undermines the whole concept. But hey, the writers will make their point that “Bush=Hitler.”

I then went to the WSJ and found the article and found this to be true. No more “24” for me. My favorite shows are now simply Heroes, Lost and Chuck. These people are truly out of touch if they think that people stopped watching the show, because of the “unpopularity” of the war effort in Iraq. I lost interest in the show, because it was slowly turning more liberal. Hollywood is completely out of touch. Especially since in 2007, the war effort in Iraq was a huge success. Not that anyone would know that from watching the mass media.

Oh, and they really don’t have a clue if they think any conservative is going to put up with the leftist, condescending, Bush-hating nitwit Janeane Garafalo. Brilliant casting, you idiots.

Reinventing ’24’

Jack Bauer’s newest nemesis isn’t a terrorist — it’s public opinion.

February 2, 2008; Page A1

During its first five years on television, the terror-thriller “24” built a huge fan base by creating the first true superhero of the post-Sept. 11 era: special agent Jack Bauer. Ruggedly handsome and righteously defiant, Jack was willing to do anything to defend his country.

That “anything” has always included torture. Jack has snipped off fingers, poisoned associates, shot through kneecaps and faked executions, all in the pursuit of national security.

Against the real-life backdrop of global terrorist attacks, “24” at its peak fulfilled the fantasies of an insecure nation. It became one of the most important franchises for News Corp.‘s Fox Broadcasting Co., with 17 million viewers tuning in some weeks and millions returning to watch on DVD. (News Corp. also owns The Wall Street Journal.)


But those who ride the tide of the times can also get upended by them. As public opinion about the Iraq War turned south, the show’s depiction of torture came to be seen as glorifying the practice in the wake of real-world reports of waterboarding and other interrogation techniques used on detainees.

Ratings dropped by a third over the course of last year’s sixth season. Producers would later experience trouble casting roles, once some of the most desirable in television, because the actors disapproved of the show’s depiction of torture. “The fear and wish-fulfillment the show represented after 9/11 ended up boomeranging against us,” says the show’s head writer, Howard Gordon. “We were suddenly facing a blowback from current events.”

Last spring, Fox executives asked producers to come up with a plan for what to do with their onetime crown jewel. The producers decided to take the radical — and rarely attempted — step of reinventing the show. While some fans complained “24” had grown too formulaic, the producers also grudgingly saw the importance of wrestling the show from its ties to an unpopular conflict.

The result: “24” is nowhere to be found on the TV schedule. For weeks the show’s producers tried to reconcile the show’s premise with the new public mood. Should Jack atone for his sins? Is Jack bad? The script rewrites and philosophical crises left the show so far behind schedule that when the Hollywood writers went on strike in November, Fox had no choice but to delay its premiere date. The show could premiere this summer, next fall or as late as January 2009.

[Howard Gordon]

At the center of it all is 46-year-old Mr. Gordon. The Princeton-educated intellectual and self-described “left-leaning centrist” finds himself in the awkward position of championing a television show he loves without condoning the real-life ideology it is so often associated with. “If anything, Howard is too thoughtful,” says Dana Walden, chairman of 20th Century Fox Television. “His process is so thoughtful that sometimes it’s hard to get a script out of him.”

Events Occur in Real Time

When “24” was first conceived, no one imagined it would court such controversy. In 2000, creators Robert Cochran and Joel Surnow developed the idea of a high-quality television action show in the mold of the “James Bond” or “Die Hard” movies: heart-pounding, if not exactly plausible. The major conceit of the show was that it would take place over a 24-hour period. Each hour-long show would depict an hour in Jack’s life.

Fox introduced the creators to Mr. Gordon, who had enjoyed some success writing and producing for a series of popular television shows like “Buffy the Vampire Slayer” and “The X Files.” In 2000, Fox ordered up 13 episodes.

“Then terrorism arrived at our doorstep,” says Gail Berman, former president of Fox entertainment. The show premiered 25 days after Sept. 11, 2001.

Instantly, “24” became inextricable from the aftermath of the terror attacks. Jack Bauer, played by Kiefer Sutherland, became a stand-in for the Bush administration’s antiterror strategy. Jack’s interrogation techniques and the numerous “ticking time bomb scenarios” he confronts — situations where he must quickly extract critical information from a suspect to deter an imminent threat — were raised during serious discussions of terror and torture on Sunday morning talk shows, in Republican and Democratic presidential debates, on newspaper editorial pages and in the halls of Congress.


At certain moments the show’s ratings have dovetailed with the approval ratings of the president. Both spiked during the invasions of Afghanistan and Iraq, the capture of Saddam Hussein and the 2004 presidential election.

In the winter of 2007 the sixth season of the show premiered to more than 16 million viewers. The season began with Jack emerging from 18 months of captivity and unremitting torture in a Chinese prison.

Around the time that episode aired, the New Yorker ran a story heavily quoting co-creator Mr. Surnow, who referred to himself as a “right-wing nut job” and called the show “patriotic.” Noting that many in the Bush administration were fans, it described Messrs. Surnow and Gordon hobnobbing with the conservative elite. The story also quoted high-ranking members of the U.S. military criticizing the show for leading soldiers to believe that torture, outlawed in 1949 by the Geneva Conventions, is effective and necessary to fight terrorism.

Mr. Gordon says the story was “highly agendized” and emphasizes the show still has broad appeal across party lines. “What really got to them, I think, wasn’t so much stories like mine as the fact that the U.S. military was telling them that what they were airing was unpatriotic,” says Jane Mayer, the article’s author.

But some Fox executives weren’t happy. To them, that story and others helped cement the show’s ties to the increasingly unpopular Bush administration. Mr. Surnow is still involved in “24,” particularly in the shaping of stories and in the edit room. An outspoken conservative, he has sought to distance his public profile from “24”‘s. Mr. Surnow declined to be interviewed.

As President Bush’s approval ratings began to sink so did ratings for season six, which ran from January to May 2007, dropping steadily month by month. Fox notes that viewers were increasingly choosing to watch the show on digital recording devices. But some fans also felt the show was retreading old ground, and that the characters had become flat. Undoubtedly “24” was showing its age, as all TV shows do, but the producers believed the public mood was quickening the decline.

It was a painful time. As allegations surfaced of prisoners being tortured by members of the U.S. military, producers felt themselves on the defensive. Mr. Gordon says he wasn’t prepared for how strong the associations had grown between “24” and the growing political maelstrom.

At one level, the producers felt angry and insulted — that they were being scapegoated by the media and politicians for larger problems they didn’t create. “We think there’s enough nuance in the show and enough complexity introduced into these ideas that we’d gotten a bum rap and we were p— off about it,” says Mr. Gordon, whose youngish appearance, casual attire and dark tan give him the ski-bum look of a Hollywood hot shot. “Even if you look at James Bond, he didn’t follow the rules, he broke the law, he had a license to kill. At a certain level, it was a wish fulfillment. It’s a fantasy, folks.”

Yet at the same time, Mr. Gordon couldn’t completely divorce himself from the concern that what Jack was doing was morally questionable at best. “24 is effectively an ad for torture,” charges David Danzig, director of the Primetime Torture Project, sponsored by the New York-based Human Rights First. “In almost every episode, the good guys use torture. And when they use torture, it almost always works.”

Says Mr. Gordon: “If you’re a sensible person — and someone with some kind of a conscience — you have to worry about this.”

By Any Means Necessary

Come spring, the show’s writers and their Fox bosses began having informal telephone conversations about how to recover for next season. By the May 21 season finale, the audience had dropped to just over 11 million. Fox gave the writers carte blanche to “reimagine” the show. One of the team’s chief considerations was how to address the controversy surrounding Jack’s use of torture. Should Jack be feeling the guilt the media would have him feel?

On May 31, the show’s head writers went in for a meeting at the studio to present their first big idea: sending Jack to Africa. In various incarnations, Jack would begin the season digging ditches, building houses, tending to orphans, providing security for an embassy or escorting around a visiting dignitary. “One of the themes we discussed was penance, that Africa was a place Jack had gone to seek some kind of penance. Some sanctuary too, but also penance for things he’s done in his life,” Mr. Gordon says.

Ms. Walden and Gary Newman, chairmen of 20th Century Fox Television, were receptive but believed it was too much of a departure. “It felt like we were throwing the baby out with the bathwater,” says Ms. Walden. The Africa plot also had several glaring problems, the first of which was that at some point Jack would have to fly back to the U.S. The writers proposed that for the first time ever, “24” would break from its real-time conceit; the show would skip the period when Jack was on his 14-hour flight.

The writers agreed to work on the plot. Just three weeks before they were due to start shooting the first episodes, Messrs. Gordon and Surnow joined fellow head writers Bob Cochran and Manny Coto for a pancake breakfast at an IHOP to talk through the elements of Jack-in-Africa that still weren’t working. Jack was too far away, they felt, both from the immediacy of domestic terror and from the character he had been in prior seasons.

At the same time, the writers felt the plot lacked the freshness and vigor they sought. They went back and forth for hours until Mr. Gordon concluded the premise just wasn’t going to work. “There’s something broken in the DNA of the story,” he recalls saying.

The others agreed and the foursome returned to Chatsworth, Calif., to the refurbished pencil factory where they film “24,” to start over. The writers do most of their writing there in a cigar room, designed to look like a colonial outpost, which they call the “Calcutta Cricket Club.”

Here, the technical crew keeps a billboard with hand-drawn pictures of Vice President Cheney with fangs and one Photoshopped image of President Bush eating a kitten. Mr. Gordon keeps on his desk a copy of his wife’s book, co-written with prominent Hollywood environmental activist Laurie David, about the dangers of global warming. As part of a larger “green” movement within News Corp., “24” is aiming to be the first television show to go carbon neutral next season, limiting energy use and filming public service announcements.

The writers worked almost without interruption for two days, and the pressure began to show. There were shouting matches, not just about the creative substance of the show, but about how the writing process itself was working. But by Sunday afternoon, they had a new idea: Jack is Bad.

It was another significant departure for the show: In the first six seasons, Jack had an unfailing moral compass. In the next few weeks, the group wrote or “broke” scripts for the first two episodes, inventing a female character, an FBI agent, who would hunt Jack down from the dark side and drag him back to the light.

Near the end of the summer, the writers went back to Fox for a meeting with the studio chiefs and executives at the network, including the network’s president, Peter Liguori. It didn’t go well. Fox didn’t believe anyone would buy the premise that “24”‘s hero would go so awry.

The Clock Is Ticking

By now the show was weeks behind schedule. The writers drove out to Mr. Gordon’s house in Pacific Palisades for another marathon session. It was there that inspiration finally struck.

On the evening of July 21, Ms. Walden was driving down Wilshire Boulevard in Los Angeles when she got a call from Mr. Gordon. She pulled to the side of the road and listened as he breathlessly explained the latest vision.

The new season would introduce a female character, someone like Jack but at an earlier point in her career. Jack’s made certain choices and is willing to pay the price, but this character’s soul is still in play. “We decided that Jack is Jack, and these questions [about torture] are more deftly handled through a character who hasn’t been defined yet,” Mr. Gordon says.

The writers decided to scrap the Counter Terrorist Unit, the government agency for which Jack worked for the first six seasons of the show. Instead Jack would go to Washington to address head-on the accusations that his tactics were out of line. He will make his case. He has nothing to apologize for.

“For five years, this was a wish fulfillment show,” Mr. Gordon said. “At the beginning, when everybody’s fear was more acute, people’s tolerance for violence, their own rage, seemed to make Jack’s tactics more acceptable. But in the wake of our own abuses in prosecuting this so-called War on Terror, we feel Jack is getting a bum rap. So instead of selling out the entire show and its history and its legacy and apologizing for it and ultimately invalidating it, we decided to defend it.”

It was as if they were defending the show itself from charges that it was reckless and partisan. Ms. Walden says she accepted it immediately, and other Fox executives followed suit.

“You can take the position that it is basically reflecting what’s going on in the Beltway right now,” said Mr. Liguori. “I could look at it and say basically it’s the show that’s on trial.”

Perhaps it is in Hollywood, where the prevailing mood has been strongly critical of the U.S. presence in Iraq. Producers casting roles for season seven quickly encountered something they never had before. Two actors declined roles due to moral objections. One Muslim actor turned down a job as a terrorist. Another actor, the former “thirtysomething” star Dave Clennon, was threatening to turn down a role as the senator who would interrogate Jack at the hearings. Through a publicist, Mr. Sutherland declined to be interviewed.

In a series of emails with Mr. Gordon, which Mr. Clennon provided to the Journal, the actor and the producer debated the show’s impact. “Perhaps my involvement in the show has created an elaborate system of rationalization, because I would hate to think that I’ve somehow been the midwife to some public acceptance of torture,” Mr. Gordon writes in an email dated Sept. 26. “But I lack conviction that torture is, under any circumstances an unacceptable option. Mostly I lack conviction because I lack the knowledge.”

Mr. Clennon decided to walk away. “At the end of the day, my sense of the show is that it promotes torture and I don’t want to be a part of that,” he says.

At least two actors who openly oppose torture have accepted parts on the show. In season seven, the liberal comedian Janeane Garofalo will play an intelligence agent. In season six, the Oscar-nominated actor James Cromwell played Mr. Sutherland’s father on the show.

“I don’t regret doing it,” Mr. Cromwell says. He does add he was troubled, however, by Fox’s position toward criticism of “24,” which he described as “Hey, look, this is a television show. If you want to deal with torture as a reality, deal with the government. They’re the ones doing it. I’m just making a buck.”

In a statement, Fox says it “has never taken a position on the politics of ’24,'” and producers who had commented on the matter “indicated that the show was not a documentary, a manual on interrogation, or a primer on the war on terror; ’24’ is a television show.”

Mr. Gordon acknowledges the weakness of the it’s-just-TV argument but says at the end of the day, his commitment to the show trumps any pulls at his conscience to set the record straight. For Jack to cop to everything he may have done wrong would have him “either suicidal or crazy, and that wasn’t a viable emotional place to put that character,” Mr. Gordon says. “Which isn’t to say he won’t get there, but not at the beginning.”

February 2, 2008 , 3:42PM Posted by | "24", Liberalism | Comments Off on The TV Show “24” is Dead to Me

The National Write-in Fred Thompson Campaign

Try 2 Focus has some posts talking about efforts to get a nationwide movement to write-in Fred Thompson for President:

Write-in Fred Thompson

That’s the sum of it. If you can’t bring yourself to vote for the offerings in your primary, or if the eventual nominee is somebody you can’t stomach, don’t sit out, and don’t vote for the Democrat. Write in Fred Thompson’s name.


By doing so, you send a message that can’t be mistaken or spun. It is a message that says:

“I am a Republican who wanted to vote for a conservative GOP candidate, but wasn’t able to do so. I can’t vote for a Democrat, but I can’t vote for any of the Republicans, either. So I’m writing in the name of the candidate I wish I could have voted for, because he is the kind of candidate I could support.”

They have to learn that if they want conservative votes, they have to nominate candidates conservatives would want to vote for.

This strategy is the only one that offers any hope of changing the leftward move of the GOP in the future. Sitting out won’t do it – they can spin the reasons why you sat out. Voting Democrat won’t do it, they can spin it that the GOP candidates weren’t liberal enough. Even voting “None of the Above” won’t do it, because that doesn’t specify what you want instead of none of the above.

Exactly. That is what voting for Ross Perot in 1992 did: it sent the message that the American people wanted fiscal conservatism in Congress. And what happened based on that high vote for Ross Perot? The Republican Party heeded the message, campaigned on fiscal conservatism and took back the House for the first time in 40 years in 1994.

So all those who say that the Ross Perot votes in 1992 were wasted votes are foolish. The Ross Perot voters gave us the House in 1994, because the Republican Party got the message. We can send a similar message in 2008. Voting for McCain simply sends the message that conservatism is dead.

Write-in Fred Thompson Gaining Momentum

As to what to do with the Presidential part of the ballot, I’ve been pondering various alternatives. Leave it blank or write in and, in the latter case, who[m] to write in? Given the choices we’re likely to have, anything from Genghis Khan to Mickey Mouse would seem more reasonable than what’s on the menu, but I’ve come to the conclusion that I’ll just write in Fred. If enough people do so, that too will send a message, as in “listen, I take my voting rights seriously and I showed up to vote, but there was nothing there to vote for so I just wrote in somebody that I WOULD have voted for.” Again: if enough people do so, it’ll be bloody hard for the RINOs and the MSM to spin it, as they’re sure to try to do.

February 2, 2008 , 3:59AM Posted by | 2008 Presidential Election, Conservatism, Fred Thompson | 1 Comment